VÍDEO-ENSAYOS
Kelly (Reichardt) and Lucy
Luis Buñuel: The Provocateur
Did you know that SERPICO was shot in reverse order?
Roman Polanski: Donde habita el mal
Spaghetti Quentin: la influencia del Spaghetti Western en Tarantino
Monica Vitti vista por Antonioni
FITZCARRALDO: The Un-Making of a Masterpiece
Playlist para dos enamorados: Les amants du Pont Neuf
How Many Genres Are There In ‘Kill Bill’?
LANGUAGE OF THE IMAGE: Emmanuel Lubezki
IL DESERTO ROSSO: Antonioni’s first colour film
LANGUAGE OF THE IMAGE: Wally Pfister
The Art of the Ellipsis
LANGUAGE OF THE IMAGE: Michael Ballhaus
LANGUAGE OF THE IMAGE: Vittorio Storaro
Paul Feig Loves Dancing
LANGUAGE OF THE IMAGE: Matthew Libatique
LANGUAGE OF THE IMAGE: Bruno Delbonnel
CAT PEOPLE (1942) meets CAT PEOPLE (1982)
James Dean, David Cronenberg: A COLLISION
Mujeres en movimiento en el cine de Olivier Assayas
ANTONIONI’s trilogy on modernity and its discontents
Kelly (Reichardt) and Lucy
Luis Buñuel: The Provocateur
Did you know that SERPICO was shot in reverse order?
Roman Polanski: Donde habita el mal
Spaghetti Quentin: la influencia del Spaghetti Western en Tarantino
Monica Vitti vista por Antonioni
FITZCARRALDO: The Un-Making of a Masterpiece
Playlist para dos enamorados: Les amants du Pont Neuf
LANGUAGE OF THE IMAGE: Matthew Libatique
How Many Genres Are There In ‘Kill Bill’?
IL DESERTO ROSSO: Antonioni’s first colour film
LANGUAGE OF THE IMAGE: Emmanuel Lubezki
LANGUAGE OF THE IMAGE: Wally Pfister
The Art of the Ellipsis
LANGUAGE OF THE IMAGE: Michael Ballhaus
LANGUAGE OF THE IMAGE: Vittorio Storaro
Paul Feig Loves Dancing
LANGUAGE OF THE IMAGE: Bruno Delbonnel
CAT PEOPLE (1942) meets CAT PEOPLE (1982)
James Dean, David Cronenberg: A COLLISION
Mujeres en movimiento en el cine de Olivier Assayas
ANTONIONI’s trilogy on modernity and its discontents